Saturday, May 23, 2015
nathan dueck has some new work up at Canadian Poetries; Pearl Pirie is interviewed by Wanda Praamsma over at BookThug; Emily Carr has some new work up at Posit; Rob Budde has some new work up at Lemonhound; and Marcus McCann's homage to David McGimpsey is now up at Open Book: Toronto.
Saturday, May 16, 2015
Gary Barwin has a new poem up at NationalPoetryMonth.ca; Amanda Earl has new work up at Otoliths; the first issue of Seth Landman's Divine Magnet is now online; a new ryan fitzpatrick interview has been posted over at Touch the Donkey; a collaborative poem between Gil McElroy and his cousin, Christina McElroy, is now up at the Chaudiere Books blog; and Helen Hajnoczky has a new poem posted as part of the "Tuesday poem" series over at the dusie blog.
Friday, May 15, 2015
The Factory Reading Series presents: A Night of Too Many Poets
featuring readings by:
Eric Schmaltz (Toronto)lovingly hosted by rob mclennan
Julia Polyck-O'Neill (St Catharines)
Dale Tracy (Kingston)
Andy Weaver (Toronto)
Carl Watts (Kingston)
ryan fitzpatrick (Vancouver)
Deanna Fong (Vancouver)
Cameron Anstee (Ottawa)
Jessi MacEachern (Montreal)
Jason Camlot (Montreal)
+ philip miletic (Waterloo)
Sunday, May 31, 2015;
doors 7pm; reading 7:30pm
The Carleton Tavern,
223 Armstrong Street (at Parkdale; upstairs)
Eric Schmaltz is an artist who works with text & sound.
Julia Polyck-O'Neill is a curator, visual artist, writer, and co-curator of the Borderblur Reading Series in St Catharines, ON. She is a currently doctoral student in Brock University’s Interdisciplinary Humanities program, and holds an MA in Studies in Comparative Literatures and Arts from Brock University as well a BFA in Visual Art and English Concentration from the University of Ottawa. Her research examines historic and contemporary conceptualisms in Vancouver visual arts and literature.
Dale Tracy has her doctorate from Queen’s University, where she studied contemporary poetry. Currently teaching contemporary literature at the Royal Military College of Canada, she is engaged in Kingston’s arts community, reading at poetry events and arts festivals and collaborating in community theatre productions.
Andy Weaver's third book of poetry, titled this, will be published by Chaudiere Books this Fall. His two previous books, Were the Bees and gangson, were nominated for Alberta Book Awards. He teaches contemporary poetry and poetics at York University.
Carl Watts is a PhD candidate at Queen's University, where he is writing his dissertation on national and ethnic identities in twentieth-century Canadian literature. His poetry has most recently appeared in The Dalhousie Review and The Best Canadian Poetry in English, 2014. He is looking forward to riding the Megabus all the way to New York City next month, when he will join the Canadian Poetry contingent at the Bryant Park Word for Word festival.
ryan fitzpatrick is a poet and critic living in Vancouver. He is the author of two books of poetry: Fortified Castles (Talonbooks, 2014) and Fake Math (Snare, 2007). With Jonathan Ball, he is co-editor of Why Poetry Sucks: An Anthology of Humorous Experimental Canadian Poetry (Insomniac, 2014). With Deanna Fong and Janey Dodd, he works on the second iteration of the Fred Wah Digital Archive (fredwah.ca), originally spearheaded by Susan Rudy. He is a PhD candidate at Simon Fraser University where he works on contemporary poetics and the social production of space.
Deanna Fong is the author of Butcher's Block (Pistol, 2008). She is also PhD student at Simon Fraser University, where she sifts through the recorded conversations of other poets from 1959 to 1989, so ask her if you want some dirt on your favourite authors.
Cameron Anstee lives and writes in Ottawa ON where he runs Apt. 9 Press and is pursuing a PhD studying Canadian literature at the University of Ottawa. He is the editor of The Collected Poems of William Hawkins (Chaudiere Books, 2015).
Jessi MacEachern is a PhD student at the Unversite de Montreal, where she studies the feminist poetics of modernist and contemporary writers. She received her MA from Concordia University in Creative Writing. Her poetry and criticism has previously been published in CV2, Lemonhound and Matrix.
Jason Camlot is the author of four collections of poetry: The Animal Library, Attention All Typewriters, The Debaucher, and most recently, What The World Said. His critical works include Language Acts (co-edited with Todd Swift) and Style and the Nineteenth-Century British Critic: Sincere Mannerisms. His poems and critical essays have appeared widely in journals and anthologies including New American Writing, Postmodern Culture and English Literary History. He received his Ph.D. from Stanford. Camlot is poetry editor of the Punchy Writers Series (DC Books), and Associate Dean in the Faculty of Arts and Science at Concordia University.
philip miletic is a writer, dabbling in a little bit of vispo, and is currently in his second year of his English PhD at the University of Waterloo. His work includes the pamphlet silver, the chapbook world 1-1 co-written with Craig Dodman, a short story chapbook and the birds sing, and a forthcoming chapbook from wordsonpages called mother2earth. He lives in Kitchener, ON.
Thursday, May 14, 2015
Scott Bryson was good enough to review Susanne Dyckman’s Source (2014) in BrokenPencil #67. Thanks, Scott!
This review will contain nearly as many words as the dozen poems in Source combined. Empty space plays as important a role here as the text does. These verses are meant to be read with a specific tempo (a slow one) – their words are spread vertically, horizontally and across pages.
While the poems in this collection are titled simply – “:family,” “:sister” and “:city” – this is far from straightforward material. The text of each poem is meant to equate to what’s listed in the title, as the colons in the titles suggest; however, some contemplation is required to determine how lines like “borrowing or digging / where water will not flow easy,” might relate to the concept of “:city.” There are shorter, untitled missives interspersed between Source’s primary poems, which seem to be a mixture of prayers, confessions and proverbs, and are considerably more enigmatic: “I confess to seraphs / the word I strike / is bread / is servant / is forever.”
Thematically, Susanne Dyckman appears to be analyzing the divide between disconnectedness and belonging, with the prayerful intermissions reading like a search for relief. In the final poem, “:home,” the opposing notions make a final collision in a series of lines that gets to the root of Dyckman’s struggle: “Something near, cherished, / but how to cherish // that which is also the same as end.” It’s a bittersweet conclusion to a cycle that hints at a lot by saying little.
Tuesday, May 12, 2015
A special "Canadian Feature," posted as the May issue of Evening Will Come, a fragment of The Volta, is now online, featuring poetic statements by a slew of above/ground press authors (and some not-yet-authors), including: derek beaulieu, Amanda Earl, Helen Hajnoczky, Peter Jaeger, Gil McElroy, Erín Moure, Nikki Reimer, Natalie Simpson and lary timewell, as well as a brief introduction by guest-editor rob mclennan.
Saturday, May 9, 2015
Chris Turnbull has a new poem up at the Chaudiere Books blog as part of #NationalPoetryMonth, as does derek beaulieu and rob mclennan; rob mclennan is interviewed by Emily Ursuliak at University of Calgary radio's Writer's Block; Elizabeth Robinson has some new work up at Web Conjunctions; and Emily Carr has a new piece posted as part of Amanda Earl's NationalPoetryMonth.ca
Saturday, May 2, 2015
Eric Baus writes on Eliane Radigue over at Coldfront; rob mclennan has a new poem up at Cosmonauts Avenue; Ruth R. Pierson writes on Phil Hall over at the Brick Books website; Stan Rogal writes on Emma Healey as "Poetry Primer #9" for All Lit Up; Lea Graham has a new poem up at the Chaudiere Books blog as part of National Poetry Month, as does Karen Massey.